In this next segment of 3 Gallery Shows You Need to See in YXE we are looking at In the Making at the College Art Galleries.
In my opinion, the College Art Galleries (located in the ground floor and 1st floor of the Admin Building on the U of S campus) have repeatedly and secretly been the best gallery shows in Saskatoon. Strangely, the College Galleries are often overlooked by the general public. If you appreciate art, In the Making needs to be seen.
Organized by Alberta College of Art + Design as an alumni show, the curator Diana Sherlock took a different approach. Rather than a broad survey of ACAD alumni, Sherlock looked at artists that have practices where their craft is merging with digital media/ technology. As an artist, I think about this all the time: is what I’m doing completely outdated? Should I be using technology to assist my process and/or be tied to the product? Does using technology (over completely handmade/ analogue) affect the worth of art? All of this is completely relevant and pretty interesting. Despite these art philosophy questions I ask myself, there are some really beautiful and intriguing work to check out.
Upon entering the lower gallery you are greeted with Dean Drever’s “Pass the Hat” which is a stack of laser cut papers to resemble a totem. To my recollection of Diana Sherlock’s curator talk, Dean Drever first made the totem out of wood, 3D photographed it and entered that data into the program that laser cut thousands of individual pieces of paper that were stacked to create this piece.
Along the wall on a shelf you’ll see a 10 piece china set Handle Series by Jenna Stanton. These were created by a 3D printed cast with the lips / edging hand finished. These porcelain vessels look perfectly made by a combination of machine and human hand.
Perhaps the most visually captivating sculpture is Brendan McGillicuddy’s Overtone. McGillicuddy designed this work using computer modelling software with the intent of using CNC machinery to mechanically produce it, but found that the machine couldn’t make it to his finishing standards. So he hand milled it, which is pretty amazing (I also like the custom made base that it rests on)
There’s a small room in the back of the gallery with a blue lit globe of liquid, Here in this room is a bit of fun. The dark room with the blue light gives a cool ambient mood and you’ll soon discover that the globe reacts to sound. Every sound made in the room is echoed in the globe by bubbles in the liquid. While I was viewing it, there were small children having a blast clapping, talking fast and yodelling to the globe. One creative boy laid under the globe and stared straight into it explaining that he felt like he was being abducted by aliens! Make sure you break typical gallery conduct and have some fun interactions with this piece.
I was captivated with a picture that appeared to look like a modern minimalist painting on a super glossy finish. The edges of the white lines in the work were intriguing to me. No wonder, it wasn’t a painting but photo.
^Ward Bastian was a glass blower that used photography to document his work. He fell for the images he made and began to create special glass works for the purpose of his photography practice. What you see here is Highlights 02 which is light reflecting off of black glass in a black room. Pretty cool stuff.
Many of the works in this show beg you to ask, “is the process more important than the product?”
For most of these works the products are amazing and by learning about the process they gain additional worth. There are some in this exhibition that are process driven.
For instance, the work of Hyang Cho. Hyang Cho listened to audio English translated version of Franz Kafka’s The Trial. And what a trial! While listening to the audio-book she attempted to transcribe it word for word on a giant scroll of Stonehenge paper until she ran out of room (over 6 times!). Hyang Cho tested herself in a performance aspect to become machine-like herself. Though maddening to think about attempting a task like this, there’s something interesting looking at her work compared to the original German version of the book. Does this serve as a document of her recollection of the book and how much is lost from the original version through translating, listening, transcribing.
I’ve only gone through a few of my favorites. There are still 2/3 of the exhibition worth discovering for yourself.
Up until April 11th, In the Making is a show that you can’t miss!