Last Friday was the closing reception of Aminah Jomah’s MFA Show “Liminality: A Transient Gaze” at the Snelgrove Gallery.
Liminality can mean barely perceptible or of being in an intermediate state. What a great word for her show. Aminah Jomah is a Lebanese Canadian that is exploring her identity, past, and connection to place between being Canadian and being Lebanese. She uses photos from a return visit from Lebanon mixed with memory as her source material.
Aminah’s show could be divided into two segments: her large scale paintings and her photography based work.
Immediately upon walking in you are greeted by her paintings. Aminah’s paintings range between sweeping urban landscapes to haunting interiors. Her urban landcapes look to be an intersection between old and new. There’s scattered building materials a deconstructed buildings that reconstruct into other buildings, perhaps speaking to the internal process of mentally recreating place/memory. She uses loads of mark making techniques that include rough charcoal architectural flow lines that a contribute to the feeling that place and memory is constructed.
The paint on her canvas is also interesting as there’s areas that have been painted once securely while other areas have thickly applied paint that could have been painted over numerous times. There were little details like found treasures in her paintings that I particularly enjoyed.
Her interior paintings look as if a camera caught a ghost on film. There’s someone there but you’re not really sure what it is supposed to be. This could speak to becoming Canadian or keeping Lebanese or a mix of both.
Another thing I really enjoyed was hearing her family talk about her paintings. In one painting, originally one of my least favorites, I heard Aminah’s family excitedly recognize and dissect parts of the painting arguing with each others recollection of memory. This gave whole new insight and new appreciation to her work!
Aminah’s other room was curtained off displaying her photography work displayed on hand made light boxes. This was my favorite. Entering the space through the curtain, you are hit by the ambiance. The mood in this room is reflective and meditative as the room feels as if it is slowly breathing by the rhythmic central light slowly dimming and lighting up. Then there’s the displays: her light boxes are all different sizes, irregularly hung. People in this room stayed a while having to sometimes kneel down or tippy toe to peak into the light box displays. The photo work in the light boxes were interesting, she drew and painted additively and reductively onto the photos making them less about documentation and more of a personal reflection. The subject material was similar to some of the paintings, interior landscapes sometimes with a ghost-like figure. I really loved this room.
This week at the Snelgrove and next post: Chiaka McNaughton’s MFA show “Unhome: Objects of Vulnerability” up until Oct. 9th. Go check out some art!